Alexandra Zerner is a progressive rock guitar player, multi-instrumentalist, and composer from Brno, Czech Republic.
She has been working as a guitar teacher, session musician, and sound engineer since 2001 and she’s currently endorsed by EMG Pickups, Kahler Tremolo Systems, and Lizard Spit Music Care Products.
Her solo works include the albums “9 Stories” (2014), “Aspects” (2015), “An Evening Walk” EP, (2016), “Opus 1880” (2018), “Silhouette” (2021), and the singles “Healing” (2009), “Nebula” (2010), “Butterfly (Fly to Heaven)” (2014), “Pawprints (In Loving Memory of Orlin)” (2018), and “Kartinche” (2019).
Alexandra participated as a guest musician in “Thoughtscanning” (2014) by We All Die (Laughing) (guitars), “The Path To Atlas” (2015) by Aurora Borealis (guitars, keyboards, mandolins), “The Four Seasons” (2016) by Vivaldi Metal Project (guitars), “Follow Me” (2019) by Sevi (guitars, keyboards), “Odd Times” by Alberto Rigoni (guitars, keyboards), and “Tomorrow” (2020) by Svetlana Bliznakova – Sevi (guitars, keyboards, mandolins).
She performed as a support act for Stu Hamm and Greg Howe (November 2016), and Dream Theater (July 2019).
28 July 2016 @ 09:14
…Providence brought us the Crown and the Ring… 🙂
29 May 2018 @ 02:03
Wow. I just discovered your music. I am loving it. Waiting on all your cd’s as I write this. I haven’t been this excited about new music in a long time. They only instrumental music I have been into up until this point was classical. I have varied tastes classic rock, country and bluegrass. But wow I am loving this. Thamks.
29 May 2018 @ 14:43
Thank you so much, Ronald! I am very grateful for your support, and I am happy that you find my works so amusing 🙂
12 January 2019 @ 13:45
I am also waiting eagerly for your next album.
I’m really happy to have found someone like you again; someone who knows how to combine many stems into a wonderful work. I will support you and buy your music.
13 January 2019 @ 17:23
Thank you so much for the nice words! I am happy that you like what I do 🙂
29 May 2019 @ 15:28
hi Alexandra 1 month ago i had not heard of you, now i have all your albums, thank you. your music is fantastic. love from Scotland.
29 May 2019 @ 17:04
Hi Robert,
Thank you very much for your support! I am happy that you like my works that much 🙂
16 September 2019 @ 00:51
Your compositions are so amazing , they bring me to tears and you play them with so much power and conviction . I feel like I’ve just heard Ravel’s “Bolero” for the first time at its premier in Paris . 😉
16 September 2019 @ 12:49
Thank you so much, Donn! This is really flattering!!! 🙂
16 October 2019 @ 02:14
Admirada Alexandra:
Tu música es excelsa y me congratulo por haberte encontrado, así puedo presumir que soy admirador de la más grande guitarrista del mundo.
Tanta calidad se podría pensar que es de Estados Unidos, pero me resultó curioso y sorpresivo que seas de un país sin mucha tradición en el rock.
Tienes en mí a uno de tus más grandes admiradores y mi admiración es porque eres guitarrista, eres increíble y por ser mujer.
Desde tierras aztecas te mando un respetuoso abrazo y ojalá algún día decidas presentarte aquí en México.
11 May 2020 @ 10:09
Hi Alexandra,
I like so much your music. It is never trivial. BUT… In your bio you didn’t mention how you learned music. You play guitar and keyboards very well, so I would like to know if you are a self-taught musician or what. Many guitarist are self-taught but I bet this is not the case. Thank you for your music and your reply.
11 May 2020 @ 13:13
Hi Maurizio,
Thank you for the nice words! I am glad that you like my works so much! I’ve been taking private lessons in classical guitar for the first 3-4 years and then moved to electric and I continued taking private lessons for many years. Regarding the piano, I am to a great extent self-taught because I was very disappointed by my two teachers at the beginning and I decided to go on my own. Sadly, now I figure out that I should have looked for another teacher instead of learning on my own because I didn’t develop my technique properly and it takes a lot of work to compensate for it now.