Perpetual Burn (Jason Becker) – Cover by Alexandra Zerner – Behind the Scenes

As you may remember, last year I uploaded a video on my official facebook page of me practicing Jason Becker’s “Perpetual Burn”. This piece is one of the greatest guitar challenges and a milestone for every melodic shred guitarist since 1988, when the “Perpetual Burn” album was released. So, this video of mine was shot for personal intends in order to check where I am in the process of learning and polishing the piece. Due to my practice to upload such videos to my facebook page, I decided to upload and this one and five minutes later, Jason Becker himself posted it on his page, which left me with my jaw dropped… Honestly, I didn’t expect such thing, at least because this so-called cover that I did, wasn’t the full track – it stopped somewhere around 2/3 of the length, also it was captured by the built-in microphone of my laptop and the sound quality was pretty bad. Nevertheless, I gained a serious amount of views and popularity, which was, according to my own beliefs, an undeserved fame, especially when later the same year Jason Becker mentioned my cover in the October edition of Guitar Player Magazine along with Jeff Loomis (whom I would like to thank a lot for the great backing track of “Perpetual Burn”). I felt both proud and bit ashamed, because it’s a great thing for someone to be aknowledged by their idols, but at the same time I still didn’t think I should get such credits for just a practice video with a poor quality. This, though, motivated me to sit down on my butt and practice “Perpetual Burn” until I get it right – it was a long and difficult road to walk on, because I learnt this piece by ear, which is a serious challenge, considering the speed of certain phrases, also every month I was discovering, that I play something wrong and I needed to fix my mistakes. Finally, I reached some point, where I think I played the piece at an acceptably high level, so I decided to shoot a decent video of it and put in on YouTube. This, of course, led to issues that every musican is pretty familiar with – the sudden drop of the playing abilities when recording, which combined with my “recording apnea”, causing constant hiccups, forced me to play this piece about 30 times in a row to get it right on the video. As a result, my hands got very tired and a bit aching at the end, but I think the result is somewhat good, so enjoy and feel free to share:

Alexandra Zerner’s “Aspects” (2015) – Behind the Scenes

Once upon a time, the solo musicians and the bands have been releasing a new album almost every year. These were good times, ages of nice and intelligent music for intelligent people, played for real. But those days are long gone now. Today, the darkness is creeping all over the Earth, sneaking up into the tiniest holes of every single media, troubling the good people and comforting the bad ones.
In thess times of terror, I stood for the sake of the good music, in the name of the ones, who built the Empire of the Guitar!
I released a second solo album just one year after my debut one!
And this album, I called “Aspects”!


My first album “9 Stories” was а conceptual one, although it may not sound like such, but anyway – all the pieces in there were inspired by books and movies, having something in common in their plots. If you have read/seen them, you will notice, that every single one of them describes the relationship (of any kind) between older, wiser man, and younger girl… I will leave the rest to your imagination.
Due to my passion to enigmatic works, symbolism, and occultism, also being a devoted progressive metal/rock listener and fan (besides being a player as well), it came naturally to put my efforts in composing a more conceptual album, or at least – more noticeable conceptual.

The first question I am receiving, everytime I speak about my second album is “What aspects?” Well, the answer couldn’t be short, because I need to put on the table certain terms, along with clarifications, so they could serve as a background for further explanations. So, basically, we’re talking about astrological aspects (detailed explanation here). I used this as a base, because the concept of the album is, again, relationships between people; in this particular case – me and other people. Everyone you meet falls in some basic category according to astrology, and this category (zodiac sign) forms a specific aspect with your own zodiac sign. This aspect produce an environment of the relationship, which can also be categorised to certain degree, so when summarising all of these experiences as objectively as possible, you could describe and even predict this environment, therefore the relationship itself. This is what I did, composing every one of these seven aspect-pieces – I did my best to paint in a musical form how I felt in all these personal environments, connected them all in a quasi-scientific order, and put them into the bigger picture.

When you’re listening to the album (the video below), at certain point you will notice repeating motifs, patterns and reprises – these were made, considering the specifics of the already mentioned relationship environments, that came up to be similar between the different aspects, and the zodiac signs Elements as well (more on the topic here). You will also see, that the pieces are 9, but I mentioned only 7 aspects – I used two more basic astrological events for an intro and outro track of the album, as they still have their important roles in the whole piece – the Ascendant is considered to indicate the direction of the individual’s path in life and the soul’s intention, while the Descendant indicates our perception of others, notably in our intimate relationships, thus these both, put that way in the whole picture, form this specific journey from “me” to “you/us”.

Being a some sort of esoteric and occult geek, I decided to present this work of mine in the style of the medieval mysticism, so I used the old latin names of the aspects, put some alchemy symbols in there, and used a big amount of symbolism in the main drawing, which I scratched with a pen on a piece of paper, then I gave it to Sofia Zasheva (check her other works here), who did miracles and created great artwork. In this matter, she also did the artwork for my first album – “9 Stories” (both albums can be purchased here).

In a purely musical sense, this album is more prog, more metal, and maybe a bit darker than “9 Stories”, and this time not every instrument part was recorded by me – the bass parts were played by Simon Slavcheff, who is (besides being a great bass player) and my sound engineering mentor – he helped me a lot with the mastering of the album. There is also a guest musician appearance from the Land of the Rising Sun – Japan, where the amazing Keiko Kumagai does her keyboard sorcery with her well known japanese progressive rock band Ars Nova. Keiko was so kind to accept my invitation to contribute to my album and she did a great keyboard solo on my track Quadratum.

Speaking of the technical side, this time I used 8-string guitar for the whole album – my Jackson JS32-8Q, which I customised by replacing the bridge humbucker with Seymour Duncan Pegasus, put a Kahler 2218 stud mount tremolo on the guitar, also now it has my custom, designed by me, Moon Phase Inlays, special thanks to Univox Guitars Bulgaria. I recorded all the electric guitar parts with this guitar, plugged into my tube preamp from Engl Amps – the E530 (with a Boss GT-8 plugged into the FX loop), and then the preamp goes directly into the sound device, without an amp. I used D’addario EXL120-8 strings and Jim Dunlop Jazz III 2.0 guitar picks. Almost all of the gear, I use, I got it with the great help of Nikki Savov from MusicWorld.bg.

Well, I hope I enlightened you good enough about my ways and reasons to do my album this way, so the rest is up to your ears and brains. Enjoy and buy it if you like it!

Carol of the Bells (Shchedryk) – cover by Alexandra Zerner – Behind the Scenes

Here come the holidays again and this year I decided to do something, that I intended for a long time. I guess you’re familiar with the piece, named “Carol of the Bells” and maybe some of you were singing it around Christmas and New Year’s Eve. Well, this piece has an interesting story, that I decided to share with you, before I show you my cover:

“Shchedryk” (from Ukrainian: Щедрий вечiр, “Bountiful Evening”) is a Ukrainian “shchedrivka”, or New Year’s carol. It was arranged by composer and teacher Mykola Leontovych in 1916, and tells a story of a swallow flying into a household to sing of wealth that will come with the following spring. “Shchedryk” was originally sung on the night of January 13, New Year’s Eve in the Julian Calendar (December 31 Old Style), which is “Shchedry Vechir”. Early performances of the piece were made by students at Kyiv University.

“Shchedryk” was later adapted as an English Christmas carol, “Carol of the Bells”, by Peter J. Wilhousky following a performance of the original song by Alexander Koshetz’s Ukrainian National Chorus at Carnegie Hall on October 5, 1921. Wilhousky copyrighted and published his new lyrics (which were not based on the Ukrainian lyrics) in 1936, and the song became popular in the United States, where it became strongly associated with Christmas. (Wikipedia)

Now, when you know the story, I want to add, that I used the arrangement, that Mykola Leontovych did, but transposed it in Dm, because it sounded better on guitar (the original key is Gm). So… enough talking… here’s my cover.

Enjoy, subscribe and share! 🙂

Morning Star (Vinnie Moore) – cover by Alexandra Zerner

Here’s one more shred guitar cover, that I did – it’s a Vinnie Moore’s track from his great album “Time Odyssey”, and I think it’s the track, that I love the most from this album – “Morning Star”.

I put a lot of efforts to learn this one, because Vinnie is one of the most clearly playing guitarists, so it is hard to achieve his preciseness, also learning such piece by ear is very time consuming, but definitely rewarding.

Enjoy, subscribe and share! 🙂

WeeklyckZ #35

This week in “WeeklyckZ” I decided to show you an ascending arpeggio lick, based on Em9maj7 chord. The lick is constructed by patterns, each one starting from different, sequential notes of the chord.

Enjoy, subscribe and share! 🙂

WeeklyckZ #34

This week in “WeeklyckZ” I decided to show you a four arpeggio sequence, based on Gm, Gm#7, Gm7, and Gm6 chords. Played slow, it may sound a bit weird to you, but in the original tempo it’s pretty useful, if you want to spice up your solos.

Enjoy, subscribe and share! 🙂

Jason Becker, Perpetual Burn and my first appearance on GuitarPlayer Magazine

Recently I was told by a guy at the Jackson Guitars Forum, that he read about me in the October edition of Guitar Player Magazine and I thought it was some joke… until I found, that actually I was mentioned there for real, and what was even more surprising and breathtaking was, that I was mentioned by Jason Becker (!) about my cover (actually a practicing video, that I uploaded to my facebook page) of his great track “Perpetual Burn”, and my name appeared right after Jeff Loomis (!)… I must admit, that I really stopped breathing for few seconds, because my jaw was somewhere on the floor.

I’ve never dreamed of such aknowledgement so early in my musical career… Thank you very much, Mr. Becker! 🙂

Well, here’s the article:

WeeklyckZ #33

This week I decided to show you a bit more advanced arpeggio lick, inspired by Jason Becker​’s style of playing diminished arpeggios. This one is a mixture of three different arpeggios – A♭dim, Fm7 and G7, which combined construct a G7♭9♭13 chord – it has a dominant function and a bit of gypsy jazz flavour.

Enjoy, subscribe and share! 🙂

WeeklyckZ #32

This week I decided to show you a tapping arpeggio inspired by Tony MacAlpine. There is a little tricky moment at the end, where you have to bend the string with your right hand, while you tap.

Enjoy, subscribe and share! 🙂